hi.

I've been working in the realm of comedy for over a decade and it all started by reading an interview with Kristen Wiig. A few weeks later I got a plane to L.A using all my bar money, and showed up at the box office of a comedy theatre asking if they wanted an intern. They did. (DO YOU EVER THINK ABOUT THE BOLDNESS YOU INHIBITED BEFORE YOU LEARNED HOW TO BE FEARFUL).

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Producing live shows makes up the majority of the work I do in the comedy industry, but I also enjoy writing words in an order in which I believe them to be funny. My 2024 SITCOM PILOT script THE PROM was described by BAFTA Rocliffe as "a great premise with an instantly recognisable setting and characters...highly amusing". I wrote, produced and directed the web series The Front Desk, which made the shortlist at Raindance WebFest. I'm currently developing a play called Vantage Point for summer 2026, AND A QUEER ROMCOM FEATURE SCRIPT LEAH AND JOEY. I strive to spend more time writing but sometimes existential dread and paying rent gets in the way of a good time.

I'm especially interested in LGBTQIA+ stories, examinations of class & neurodivergence, and of course, A COMEDIC SHARPNESS. BECAUSE A LACK OF HUMOUR IS FOR TORIES.

I am currently working as a Senior Producer at Show And Tell, a live comedy production company based in London. I've had the pleasure of working with comedians in London, Edinburgh, and all across the U.K and Ireland on their live shows since 2012. Acts such as Jacqueline Novak, Wanda Sykes, Sara Pascoe, Lazy Susan, Ramy Youssef, Maria Bamford, Alison spittle, Chris Fleming, Leila Navabi, rachel parris, Celeste Barber, Margaret Cho, Celya AB, Katherine Ryan and Mary Beth Barone. This SUMMER I PRODUCED AUSTRALIA’S FIRST ATTRACTIVE COMEDIAN, THE DEBUT HOUR FROM ELOUISE EFTOS, WHICH received an Edinburgh Comedy Award nomination FOR BEST NEWCOMER.

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